The Resource Interpreting popular music, David Brackett ; with a new preface by the author

Interpreting popular music, David Brackett ; with a new preface by the author

Label
Interpreting popular music
Title
Interpreting popular music
Statement of responsibility
David Brackett ; with a new preface by the author
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Brackett, David
Dewey number
781.64
Illustrations
illustrations
Index
index present
LC call number
ML3470
LC item number
.B73 2000
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
  • discographies
http://library.link/vocab/subjectName
  • Popular music
  • Popular music
  • Musique populaire
  • Musique populaire
  • Popmuziek
  • Interpretatie
Label
Interpreting popular music, David Brackett ; with a new preface by the author
Link
Instantiates
Publication
Note
Originally published: Cambridge University Press, 1995
Bibliography note
  • Discography: p. 249-250
  • Includes bibliographical references (p. 237-248) and index
Contents
  • Biographical discourse
  • Style and history
  • Performance, effect, and affect
  • When you're lookin' at Hank (you're looking at country)
  • Lyrics, metanarratives, and the great authenticity debate
  • Sound, performance, gender, and the honky-tonk
  • "A feeling called the blues"
  • The emergence of "country-western"
  • James Brown's "Superbad" and the double-voiced utterance
  • The discursive space of black music
  • Prelude
  • Signifyin(g)--words and performance
  • Musical signifyin(g)
  • Writing, music, dancing, and architecture in Elvis Costello's "Pills and Soap"
  • The "popular aesthetic"
  • Style and aesthetics
  • Interpretation and (post)modern pop
  • A question of influence
  • Afterword: the citizens of Simpleton
  • Reading the spectrum photos
  • Codes and competences
  • Who is the author?
  • Musicology and popular music
  • Postlude
  • Family values in music? Billie Holiday's and Bing Crosby's "I'll Be Seeing You"
  • A tale of two (or three) recordings
  • Critical discourse
Edition
1st Calif. pbk.
Extent
1 online resource (xv, 260 pages
Form of item
online
Other physical details
illustrations)
Specific material designation
remote
System control number
(OCoLC)1035677275
Label
Interpreting popular music, David Brackett ; with a new preface by the author
Link
Publication
Note
Originally published: Cambridge University Press, 1995
Bibliography note
  • Discography: p. 249-250
  • Includes bibliographical references (p. 237-248) and index
Contents
  • Biographical discourse
  • Style and history
  • Performance, effect, and affect
  • When you're lookin' at Hank (you're looking at country)
  • Lyrics, metanarratives, and the great authenticity debate
  • Sound, performance, gender, and the honky-tonk
  • "A feeling called the blues"
  • The emergence of "country-western"
  • James Brown's "Superbad" and the double-voiced utterance
  • The discursive space of black music
  • Prelude
  • Signifyin(g)--words and performance
  • Musical signifyin(g)
  • Writing, music, dancing, and architecture in Elvis Costello's "Pills and Soap"
  • The "popular aesthetic"
  • Style and aesthetics
  • Interpretation and (post)modern pop
  • A question of influence
  • Afterword: the citizens of Simpleton
  • Reading the spectrum photos
  • Codes and competences
  • Who is the author?
  • Musicology and popular music
  • Postlude
  • Family values in music? Billie Holiday's and Bing Crosby's "I'll Be Seeing You"
  • A tale of two (or three) recordings
  • Critical discourse
Edition
1st Calif. pbk.
Extent
1 online resource (xv, 260 pages
Form of item
online
Other physical details
illustrations)
Specific material designation
remote
System control number
(OCoLC)1035677275

Library Locations

  • Internet ArchiveBorrow it
    300 Funston Ave, San Francisco, CA, 94118, US
    37.7823215 -122.4716373

Library Links

Processing Feedback ...