The Resource Shakespeare : the invention of the human, Harold Bloom
Shakespeare : the invention of the human, Harold Bloom
Resource Information
The item Shakespeare : the invention of the human, Harold Bloom represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Internet Archive - Open Library.This item is available to borrow from all library branches.
Resource Information
The item Shakespeare : the invention of the human, Harold Bloom represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Internet Archive - Open Library.
This item is available to borrow from all library branches.
- Summary
- Shakespeare: The Invention of the Human is an analysis of the central work of the Western canon, and of the playwright who not only invented the English language, but also, as Bloom argues, created human nature as we know it today. Before Shakespeare there was characterization; after Shakespeare, there were characters, men and women capable of change, with highly individual personalities. Shakespeare: The Invention of the Human is a companion to Shakespeare's work, and just as much an inquiry into what it means to be human. It explains why Shakespeare has remained our most popular and universal dramatist for more than four centuries, and in helping us to better understand ourselves through Shakespeare, it restores the role of the literary critic to one of central importance in our culture
- Language
- eng
- Extent
- 1 online resource (xx, 745 pages)
- Contents
-
- Chronology
- To the reader
- Shakespeare's universalism
- I. The early comedies. 1. The comedy of errors
- 2. The taming of the shrew
- 3. The two gentlemen of Verona
- II. The first histories. 4. Henry VI
- 5. King John
- 6. Richard III
- III. The apprentice tragedies. 7. Titus Andronicus
- 8. Romeo and Juliet
- 9. Julius Caesar
- IV. The high comedies. 10. Love's labour's lost
- 11. A midsummer night's dream
- 12. The merchant of Venice
- 13. Much ado about nothing
- 14. As you like it
- 15. Twelfth night
- V. The major histories. 16. Richard II --- 17. Henry IV
- 18. The merry wives of Windsor
- 19. Henry V
- VI. The "problem plays." 20. Troilus and Cressida
- 21. All's well that ends well
- 22. Measure for measure
- VII. The great tragedies. 23. Hamlet
- 24. Othello
- 25. King Lear
- 26. Macbeth
- 27. Antony and Cleopatra
- VIII. Tragic epilogue. 28. Coriolanus
- 29. Timon of Athens
- IX. The late romances. 30. Pericles
- 31. Cymbeline
- 32. The winter's tale
- 33. The tempest
- 34. Henry VIII
- 35. The two noble kinsmen
- Coda : the Shakespearean difference
- A word at the end : foregrounding
- Label
- Shakespeare : the invention of the human
- Title
- Shakespeare
- Title remainder
- the invention of the human
- Statement of responsibility
- Harold Bloom
- Subject
-
- Shakespeare, William, 1564-1616 -- Knowledge | Psychology
- Characters and characteristics
- Characters and characteristics in literature
- Humanism in literature
- Psychology
- Drama
- Humanism in Literature
- Drama -- Psychological aspects
- Personality in literature
- Shakespeare, William, 1564-1616
- Humanism in literature
- Drama
- Shakespeare, William, 1564-1616
- Characters and characteristics in literature
- Personages
- Shakespeare, William, 1564-1616
- Shakespeare, William, 1564-1616 -- Characters
- Casey, Bonita & Dorothy Shobe (memorial) by Bob & B. J. McConnell
- Personality in literature
- Shakespeare, William
- Drama -- Psychological aspects
- Language
- eng
- Summary
- Shakespeare: The Invention of the Human is an analysis of the central work of the Western canon, and of the playwright who not only invented the English language, but also, as Bloom argues, created human nature as we know it today. Before Shakespeare there was characterization; after Shakespeare, there were characters, men and women capable of change, with highly individual personalities. Shakespeare: The Invention of the Human is a companion to Shakespeare's work, and just as much an inquiry into what it means to be human. It explains why Shakespeare has remained our most popular and universal dramatist for more than four centuries, and in helping us to better understand ourselves through Shakespeare, it restores the role of the literary critic to one of central importance in our culture
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Bloom, Harold
- Dewey number
- 822.3/3
- Index
- no index present
- LC call number
- PR2989
- LC item number
- .B58 1998
- Literary form
- non fiction
- Nature of contents
- dictionaries
- http://library.link/vocab/subjectName
-
- Shakespeare, William
- Shakespeare, William
- Casey, Bonita & Dorothy Shobe (memorial) by Bob & B. J. McConnell
- Shakespeare, William
- Shakespeare, William
- Shakespeare, William
- Shakespeare, William
- Characters and characteristics in literature
- Drama
- Personality in literature
- Humanism in literature
- Humanism in Literature
- Characters and characteristics
- Characters and characteristics in literature
- Drama
- Humanism in literature
- Personality in literature
- Psychology
- Personages
- Drama
- Drama
- Label
- Shakespeare : the invention of the human, Harold Bloom
- Link
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Chronology -- To the reader -- Shakespeare's universalism -- I. The early comedies. 1. The comedy of errors -- 2. The taming of the shrew -- 3. The two gentlemen of Verona -- II. The first histories. 4. Henry VI -- 5. King John -- 6. Richard III -- III. The apprentice tragedies. 7. Titus Andronicus -- 8. Romeo and Juliet -- 9. Julius Caesar -- IV. The high comedies. 10. Love's labour's lost -- 11. A midsummer night's dream -- 12. The merchant of Venice -- 13. Much ado about nothing -- 14. As you like it -- 15. Twelfth night -- V. The major histories. 16. Richard II --- 17. Henry IV -- 18. The merry wives of Windsor -- 19. Henry V -- VI. The "problem plays." 20. Troilus and Cressida -- 21. All's well that ends well -- 22. Measure for measure -- VII. The great tragedies. 23. Hamlet -- 24. Othello -- 25. King Lear -- 26. Macbeth -- 27. Antony and Cleopatra -- VIII. Tragic epilogue. 28. Coriolanus -- 29. Timon of Athens -- IX. The late romances. 30. Pericles -- 31. Cymbeline -- 32. The winter's tale -- 33. The tempest -- 34. Henry VIII -- 35. The two noble kinsmen -- Coda : the Shakespearean difference -- A word at the end : foregrounding
- Extent
- 1 online resource (xx, 745 pages)
- Form of item
- online
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Specific material designation
- remote
- System control number
- (OCoLC)1035685544
- Label
- Shakespeare : the invention of the human, Harold Bloom
- Link
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- Chronology -- To the reader -- Shakespeare's universalism -- I. The early comedies. 1. The comedy of errors -- 2. The taming of the shrew -- 3. The two gentlemen of Verona -- II. The first histories. 4. Henry VI -- 5. King John -- 6. Richard III -- III. The apprentice tragedies. 7. Titus Andronicus -- 8. Romeo and Juliet -- 9. Julius Caesar -- IV. The high comedies. 10. Love's labour's lost -- 11. A midsummer night's dream -- 12. The merchant of Venice -- 13. Much ado about nothing -- 14. As you like it -- 15. Twelfth night -- V. The major histories. 16. Richard II --- 17. Henry IV -- 18. The merry wives of Windsor -- 19. Henry V -- VI. The "problem plays." 20. Troilus and Cressida -- 21. All's well that ends well -- 22. Measure for measure -- VII. The great tragedies. 23. Hamlet -- 24. Othello -- 25. King Lear -- 26. Macbeth -- 27. Antony and Cleopatra -- VIII. Tragic epilogue. 28. Coriolanus -- 29. Timon of Athens -- IX. The late romances. 30. Pericles -- 31. Cymbeline -- 32. The winter's tale -- 33. The tempest -- 34. Henry VIII -- 35. The two noble kinsmen -- Coda : the Shakespearean difference -- A word at the end : foregrounding
- Extent
- 1 online resource (xx, 745 pages)
- Form of item
- online
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Specific material designation
- remote
- System control number
- (OCoLC)1035685544
Subject
- Casey, Bonita & Dorothy Shobe (memorial) by Bob & B. J. McConnell
- Characters and characteristics
- Characters and characteristics in literature
- Characters and characteristics in literature
- Drama
- Drama
- Drama -- Psychological aspects
- Drama -- Psychological aspects
- Humanism in Literature
- Humanism in literature
- Humanism in literature
- Personages
- Personality in literature
- Personality in literature
- Psychology
- Shakespeare, William
- Shakespeare, William, 1564-1616
- Shakespeare, William, 1564-1616
- Shakespeare, William, 1564-1616
- Shakespeare, William, 1564-1616 -- Characters
- Shakespeare, William, 1564-1616 -- Knowledge | Psychology
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