Borrow it
Coverart for item
The Resource Incredible light & texture in watercolor, James Toogood

Incredible light & texture in watercolor, James Toogood

Work
Publication
Edition
1st ed.
Extent
1 online resource (127 pages
Note
Includes index
Contents
  • Basics of Color, Paint and Other Materials
  • Color, Paint and Pigment
  • Color Charts
  • Brushes
  • Paper
  • Drawing Implements and Other Materials
  • The Basics of Drawing and Composition
  • Value
  • Linear Perspective
  • One-, Two- and Three-Point Perspective
  • Legitimate Construction
  • Aerial Perspective
  • Composition
  • Size and Shape
  • Balance
  • Conventions on Composition
  • Keys to Creating Qualities of Light
  • Bright Natural Light--Simple and Direct
  • Artificial Light
  • Time of the Year
  • Low and High Key Painting
  • A Dominant Color Sets the Mood
  • Overcast and Misty Days
  • Basic Techniques
  • Demonstration: Flat Washes
  • Underpainting
  • Masking
  • Pre-Moistened Paper
  • Graded Wash
  • Layering Color for a Feeling of Light
  • Mixing Color
  • Glazing and Scumbling
  • Drybrush
  • Brushmarks
  • Painting Natural Textures
  • Demonstration: Fields of Grass
  • Demonstration: Bare Branch in the Foreground
  • Demonstration: Palm Trees
  • Demonstration: Jagged Coastal Rocks
  • Demonstration: A Sandy Beach
  • Demonstration: Dramatic Clouds
  • Demonstration: A Body of Water
  • Painting Man-made Textures
  • Demonstration: Rusted Metal
  • Demonstration: Peeling Paint
  • Demonstration: Stone Buildings
  • Demostration: Brick
  • Demonstration: Weathered Concrete Sidewalk
  • Demonstration: Metal Reflections
  • Demonstration: A Rainy Evening
  • Painting Textures of People
  • Why Use People?
  • Demonstration: Human Eye
  • Demonstration: Mouth and Teeth
  • Demonstration: Face, Light Complexion
  • Demonstration: Face, Dark Complexion
  • Differences and Similarities
  • Different Elements Painted Similarly
  • Clouds and People Painted Similarly
  • Contrasting Man-made Textures
  • Contrasting Complementary Colors and Textures
  • Contrast and Similarities: Day and Night
  • Low and High Key Paintings
Link
Instance
Label
Incredible light & texture in watercolor
Title
Incredible light & texture in watercolor
Statement of responsibility
James Toogood
Title variation
Incredible light and texture in watercolor
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1954-
http://library.link/vocab/creatorName
Toogood, James
Dewey number
751.42/2
Illustrations
illustrations
Index
index present
LC call number
ND2420
LC item number
.T66 2004
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/subjectName
  • Watercolor painting
  • Light in art
  • Texture (Art)
  • Light in art
  • Texture (Art)
  • Watercolor painting
Label
Incredible light & texture in watercolor, James Toogood
Link
Instantiates
Publication
Note
Includes index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Basics of Color, Paint and Other Materials -- Color, Paint and Pigment -- Color Charts -- Brushes -- Paper -- Drawing Implements and Other Materials -- The Basics of Drawing and Composition -- Value -- Linear Perspective -- One-, Two- and Three-Point Perspective -- Legitimate Construction -- Aerial Perspective -- Composition -- Size and Shape -- Balance -- Conventions on Composition -- Keys to Creating Qualities of Light -- Bright Natural Light--Simple and Direct -- Artificial Light -- Time of the Year -- Low and High Key Painting -- A Dominant Color Sets the Mood -- Overcast and Misty Days -- Basic Techniques -- Demonstration: Flat Washes -- Underpainting -- Masking -- Pre-Moistened Paper -- Graded Wash -- Layering Color for a Feeling of Light -- Mixing Color -- Glazing and Scumbling -- Drybrush -- Brushmarks -- Painting Natural Textures -- Demonstration: Fields of Grass -- Demonstration: Bare Branch in the Foreground -- Demonstration: Palm Trees -- Demonstration: Jagged Coastal Rocks -- Demonstration: A Sandy Beach -- Demonstration: Dramatic Clouds -- Demonstration: A Body of Water -- Painting Man-made Textures -- Demonstration: Rusted Metal -- Demonstration: Peeling Paint -- Demonstration: Stone Buildings -- Demostration: Brick -- Demonstration: Weathered Concrete Sidewalk -- Demonstration: Metal Reflections -- Demonstration: A Rainy Evening -- Painting Textures of People -- Why Use People? -- Demonstration: Human Eye -- Demonstration: Mouth and Teeth -- Demonstration: Face, Light Complexion -- Demonstration: Face, Dark Complexion -- Differences and Similarities -- Different Elements Painted Similarly -- Clouds and People Painted Similarly -- Contrasting Man-made Textures -- Contrasting Complementary Colors and Textures -- Contrast and Similarities: Day and Night -- Low and High Key Paintings
Edition
1st ed.
Extent
1 online resource (127 pages
Form of item
online
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
color illustrations)
Specific material designation
remote
System control number
(OCoLC)1035708851
Label
Incredible light & texture in watercolor, James Toogood
Link
Publication
Note
Includes index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Basics of Color, Paint and Other Materials -- Color, Paint and Pigment -- Color Charts -- Brushes -- Paper -- Drawing Implements and Other Materials -- The Basics of Drawing and Composition -- Value -- Linear Perspective -- One-, Two- and Three-Point Perspective -- Legitimate Construction -- Aerial Perspective -- Composition -- Size and Shape -- Balance -- Conventions on Composition -- Keys to Creating Qualities of Light -- Bright Natural Light--Simple and Direct -- Artificial Light -- Time of the Year -- Low and High Key Painting -- A Dominant Color Sets the Mood -- Overcast and Misty Days -- Basic Techniques -- Demonstration: Flat Washes -- Underpainting -- Masking -- Pre-Moistened Paper -- Graded Wash -- Layering Color for a Feeling of Light -- Mixing Color -- Glazing and Scumbling -- Drybrush -- Brushmarks -- Painting Natural Textures -- Demonstration: Fields of Grass -- Demonstration: Bare Branch in the Foreground -- Demonstration: Palm Trees -- Demonstration: Jagged Coastal Rocks -- Demonstration: A Sandy Beach -- Demonstration: Dramatic Clouds -- Demonstration: A Body of Water -- Painting Man-made Textures -- Demonstration: Rusted Metal -- Demonstration: Peeling Paint -- Demonstration: Stone Buildings -- Demostration: Brick -- Demonstration: Weathered Concrete Sidewalk -- Demonstration: Metal Reflections -- Demonstration: A Rainy Evening -- Painting Textures of People -- Why Use People? -- Demonstration: Human Eye -- Demonstration: Mouth and Teeth -- Demonstration: Face, Light Complexion -- Demonstration: Face, Dark Complexion -- Differences and Similarities -- Different Elements Painted Similarly -- Clouds and People Painted Similarly -- Contrasting Man-made Textures -- Contrasting Complementary Colors and Textures -- Contrast and Similarities: Day and Night -- Low and High Key Paintings
Edition
1st ed.
Extent
1 online resource (127 pages
Form of item
online
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
color illustrations)
Specific material designation
remote
System control number
(OCoLC)1035708851

Subject

Library Locations

  • Internet ArchiveBorrow it
    300 Funston Ave, San Francisco, CA, 94118, US
    37.7823215 -122.4716373

Library Links

Zepheira Logo
Structured data from the Bibframe namespace is licensed under the Creative Commons Attribution 4.0 International License by Internet Archive - Open Library. Additional terms may apply to data associated with third party namespaces.
Processing Feedback ...